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Life is like a TV show

Saturday, November 16

The Edit interview with Guinevere Van Seenus @ 15:44

I find what she says pretty down-to-earth and inspiring.

Taken part of the article from the cover story of "The Edit - October 31 2013"

Simply enchanting. Sensitive yet sensational, the ethereal Guinevere Van Seenus talks to Natalie Rigg about why she took a step back from her stellar modeling career, her passion for magical stories and finding her own happy ending.

Now 36 years old, she has enjoyed almost two decades in the spotlight, notching up global advertising campaigns for fashion powerhouses, including Prada, Kenzo and Miu Miu as well as countless magazine covers. She is a long-term muse and confidante to the pioneering Italian photographer Paolo Roversi.

Did you always want to be a model?
"No, I had never considered myself to be model material. It was actually my mother who suggested that I give it a try and enrolled me in a runway school in Santa Barbara when I was 15. I didn't take it seriously at first and considered modeling to be a fun hobby, like basketball or volleyball."

When did you get your big break?
"I was sent to Los Angeles on a casting for David LaChapelle in 1995. It was extremely rare to get in front a photographer of that magnitude. At the time, I was used to getting rejected, because my own look was so far removed from the typical blonde, Californian girl that was the trend. But he liked me and we ended up doing the most beautiful, fairy-tale-inspired story for The Face magazine."

Who has been the strongest influence on your career?
My agent in Paris was the catalyst. She really understood my look and made sure I saw the right people. My early relationships with [photographers] Paolo Roversi and Steven Meisel were also key."

What is the most valuable piece of advice you have been given?
"There was a period in my career when I decided to take a break from modeling and Paolo showed me a level of support that went beyond the job. He pulled me aside to say, 'You must remember that we all love you because of who you are, not because of what you do." That meant a lot to me."

You took a two-year hiatus from modeling in 1996, why?
"I worked very heavily for a number of years and suddenly realized I couldn't handle it anymore. That level of intensity was hard because I'm not a natural performer. So I retreated, recuperated and tried to find normality again by reconnecting to the things I love, such as craftwork and jewelry making. After reaching a point where I felt that I could handle the pace again, I tiptoed back into the industry, choosing projects that really interested me."

What is your perception of your own beauty?
"I have reached a place where I feel at my most beautiful in front of a camera. I think I'm lucky in that my look is very versatile. People often say that I look completely different in all my photos, so it's nice to be able to transform in that way."

Your life motto?
"Progress, not perfection. I am pretty hard on myself, so I am trying to learn how to enjoy things and be lighter about life."

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I was reading about "The Interview: Daphne Guinness" and thought what a world full of grief, sadness and death she is living in.

She shared about the death of her best friend Isabella Blow and Alexander Lee McQueen and said "I'm passionate about surviving. I'm trying to build something of my life. I need to live my life, not everybody else's death."

To think she can say that, it meant she must have gone through a lot emotionally. She probably have thoughts of leaving this world to join them. What a misery. I felt sad looking at this industry filled with so many depression cases. Depression which easily leads to death. It also meant there is a lot of potential in this industry.

Above all, try not to take everything so seriously or read into every actions or behaviour. The best is to laugh it off and life can be simpler as well as happier.

And I realize, creative people looks weird because they have crazy ideas. So sometimes crazy is a norm to them. Don't be too surprised or taken aback. LOL.

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Wednesday, September 25

VBH - luxury @ 14:15

Found an interesting article while researching on certain brands.

VBH: Very Beautiful Handbags by V. Bruce Hoeksema

The Rome-based accessories house VBH may be one of fashion’s best-kept secrets—a rare thing in an age of tweeting designers, live-streamed runway shows, street-style blogging.  Fashion is faster than ever, and it takes a person with integrity and a passion for the traditional (rather long) process, to create truly exclusive luxury.  One man who values this artisanal process is American designer Vernon Bruce Hoeksema, who founded VBH quietly in 1999.
He attributes his understanding of true luxury to the 25 years he spent working for Valentino. His understated handbags come in an array of high-end materials like lizard, alligator, python, leather and suede.  Each bag is hand-sewn and assembled by a team of artisans in Florence.
“We will never be a mass luxury brand, it’s not in our DNA and that’s not what we are about,” says Hoeksema. 

NM: What was the original motive behind VBH?
BH: The motivation was to get back to real luxury – high quality and exclusive.  At that time, when I started the company, I found so-called “luxury” being distributed to the masses.  You would see the same bag everywhere.  I noticed there was a high-end clientele that wanted to distinguish themselves.
NM: What is the ultimate craftsmanship for you?
BH: The ultimate craftsmanship is being handmade in Italy.  Putting as much attention-to-detail into making the inside of the bag as you do the outside.  Also, construction and how the bag wears through the years.
NM: VBH offers a very exclusive and personal interpretation of luxury.  How do you intend to maintain the integrity of the company while aiding growth?
BH: VBH has grown solely by word-of-mouth. It represents the old way luxury brands were built.  It wasn’t done through advertising, it was done through beautiful quality products.  Because of this, we have tremendous potential to expand to markets where people aren’t aware of VBH without going mass-luxury.  It’s our job to maintain the high standards that VBH stands for – handmade in our own factory in Italy.  We also put a lot of time into the research and development of new materials and finishes.
NM: Your handbags are exquisitely understated.  What is your philosophy in terms of design?
BH: I don’t believe in “throw-away” fashion.  I want to make products that are timeless and can be passed down to future generations.
NM: Describe the production process for one bag.
BH: Once my sketch is complete, the skins are hand selected, quality controlled and hand cut.  They pass from the cutting tables to be “prepared.”  This is where the skins and edges are skived, which makes them thinner, in order to sew the seams.  Then, they get a final or exact cut. There are different backings we use to give strength and durability, depending on the type of skin we are using. After this they are individually hand mounted at the work tables.  One bag can have around 30 to 40 pieces that all get assembled in certain stages.  It takes at least a week for one bag to pass through the mounting stage.  We select thread colors and edge paint colors.  It’s a very lengthy process because of the way we finish the bags – we basically create another bag on the inside.
NM: Share three things you learned during your time at Valentino.
BH: I learned what real luxury is, what real couture is and how to mix materials and colors to put together a cohesive collection or an individual bag.
NM: Your online presence is one of mystery. You have a website, but there is minimal content.  Do you intentionally keep a low profile online? 
BH: In the beginning it was a conscious decision to not have a website.  It was partially because we weren’t trying to expand the brand exponentially, but also because putting product on the web made it much easier to counterfeit, which has been a problem for us.  Now, we are currently working on an informational website, which will feature some product.
NM: How do you balance business and creative?
BH: It is a tremendous amount of work. You end up working a lot of hours, I guess is how you do it. [Laughs.]  I spend most of the day (9 to 5) working on the creative side and the business side is mostly after hours.
NM: What excites you most about the design process?
BH: I really enjoy going to the factory with my sketches and working with the model maker to develop the first sample.  I am extremely hands-on during this process.  I can go into the factory, completely on my own, and make my sketch a reality.  The only process I don’t attempt to do myself is to use the sewing machine, and it’s not because I don’t think I can, but because it probably takes a bit of practice.  Depending on the bag it can take eight to ten trials to get the sample perfectly balanced.  I enjoy everything about this process, especially the small tweaks.
NM: Describe the quintessential VBH woman.
BH: The brand appeals to all ages of women, and that’s what I had hoped for, when I started the business.  The quintessential woman who is attracted to VBH is secure in herself and her taste. She understands the quality and wants to project her own personality, not the personality of a logo or brand. 
- Taken from NMdaily, posted by Kristen Spaulding on 11.07.11

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Thursday, September 19

Style Rethink by Christa D'Souza @ 18:48


"How do women do this over and over again without bankrupting themselves both financially and creatively? Here is the thing: Very, very, stylish women don't. 

Forking out for an entire new closet every season smacks of victim-y insecurity…Find those key pieces that can be integrated seamlessly, stealthily, almost thriftily, into your existing closet. 'Remember, the season has to work for YOU', as she puts it. 'Not the other way round'. 

SO then - those vital pieces for the season. Concentrate on these as though your life depends upon it and, guaranteed, you will sail through fall like a pro. If I could only go for one piece? It would probably be a coat. There is something about its new oversized proportions, its cocooning powers, as exemplified to perfection…

If I were going for two, I would add the perfect slouchy sweater…

If you already have one (slip dress) from Pre-Fall, pair it with an oversized sweater, and if you want to really push fall's rebel theme, add a leather jacket… If you like the idea of a simple, throw-on-and-go dress, as I do, then invest in a black foolproof shift from Victoria Beckham, with minimal accessories and a pair of Jimmy Choo brogues…"

Taken from an article called Style Rethink from Net-A-Porter by Christa D'Souza

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Monday, April 29

Liberty Ross @ 17:58

I just read a write up about Liberty Ross on Net-A-Porter online. 

I found what she shared pretty down-to-earth realistic and true. 

DESCRIBE YOUR PERSONAL STYLE…
"Whatever I wear has to be comfortable. In my book, comfort translates to confidence. If it feels good, I'll wear it, whether it's six-inch heels or a simple Alexander Wang T-shirt. My style has evolved over the past year in harmony with the changes in my life"

WHAT PERSUADED YOU TO MAKE YOUR RUNWAY RETURN FOR ALEXANDER WANG SS13?
"Alex [Wang] called and asked me to do it. It was a defining moment and I felt honored to be supported by him during that difficult time. I was not in a good way at that point in my life and felt incredibly vulnerable. Doing the show was daunting, but it was wonderful to get up there, show my strength and shine for someone who believes in me. I was very grateful."

Going through a divorce that unfortunately captured the public's attention, she managed to stand strong and have a high-profile return to the catwalk at Alexander Wang SS13 runway. 

No man is an island. We all need someone to believe in us. 

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I am colour blind. I am tall. I hate things that pops out suddenly, bursting of balloons and PAIN. I can be shy sometimes.

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Pokka Oolong. Vintage and Oriental styles. Monochrome. Beauty of nature. Forever Friends bear. COLOURS. Fashion. Photography. Volkswagen Beetle.

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